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Praise for Foxy-T
'This is, in fact, the best book that has ever been written about Brick Lane [...] an amazing tour de force.' Roy Moxham, The Browser
'...this affectionate tale may tell you more about love, longing and ambition in the inner city than a dozen official reports. Indeed, some readers would argue that it captures the flavour of Asian lives in London E1 with more inside-track relish than another novel of 2003: Monica Ali's Brick Lane.' Boyd Tonkin, Independent
'The book I like best is Tony White’s Foxy-T. Ventriloquism among the Cannon Street xeroxing machines, innit?' Sukhdev Sandhu, 3:am Magazine
'"What's your favourite British novel from the past ten years?" The other day I was with a group of friends, and someone posed this question. A few fairly obvious titles were suggested, which gave me time to think. And when it came my turn to speak, I said, "Foxy T by Tony White".' Toby Litt, Guardian
'...made me grin with surprised admiration. Rejecting familiar influences of the past 20 years, White joins a handful of contemporary writers who are proving that the novel has never been more alive. He is a serious, engaging voice of the modern city.' Michael Moorcock, Guardian
'One of this year's key novels [...] an ingenious, beautifully crafted, thrillingly contemporary love story set in the Bangladeshi east end and narrated in that area's distinctive patois [...] A complex, clever book whose future status as a GCSE set text must be assured.' Time Out
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Praise for Albertopolis Disparu
'Weirdly Brilliant Steampunk Thing. Anyone who loves alternative versions of London a la Neil Gaiman or Alan Moore should get their hands on Albertopolis Disparu, a short story available for free at the Science Museum. It's a densely-laden tale of secret machines, converted turrets and tunnels and Edwardian techno-espionage, played out over the rooftops and catacombs of Exhibition Road. Any eight-page story that references Michael Moorcock and ends with a fleet of Zeppelins attacking Imperial College with plasma weapons is a winner with us. The campaign starts here to persuade the author, Tony White, to turn this into a full-length novel.' Londonist
'White uses primary texts to create his secondary ones and overtly cites five sources, plus the James Colvin ‘Terminal Session’ triple bluff that cavorts back to the great Michael Moorcock who started it in the first place and then back again (which adds up to three) plus the ‘listening post’ pothook of the South Kensington Science Museum plus the American Technical Society of 1911 publication. It might be a story but more likely it merely reads like one to the casual peruse. [...] White is a killer. He’s the deal.' Richard Marshall, 3am Magazine
'Albertopolis Disparu startet mit einer Referenz an Michael Moorcock und endet mit einer Flotte Zeppeline, die mit Plasmawaffen angreifen, was will man mehr?' Clockworker
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